Re: clutch chatter/rattle noise
 

This from the biggest loser of them all! The jealous, really jealous, I
can't believe how jealous this little draft dodging coward schizophrenic
psychopath liar hiding in Vancouver via S0106000ea6ba70e7.vn.shawcable.net
24.86.24.251 intrepidator@shaw.ca who's only way to get attention is to make
a fool of its self. With an obsession with perverts and goats, where it
writes via remailers, @news.alt.net, and cross posts to other perverts to no
one's surprise. With extreme jealous ranting over my documents, possessions,
successes, manliness and fine, Southern California surfing body, beard, and
loving Christian family. Committing forgery over many of my posts, proving
I'm a responsible American man. You remind me of a little rat dog, like a
Mexican Chiwawa with its senseless barking, me too, me too. You're even more
senile than I first thought. And the poor thing, you're too girlie to take
responsibility for yourself again, by signing your statement like a man.
That really thinks the group's members are so stupid not to know it's
the same coward, posting over and over again using a schizophrenic
psychopath forged up names?
You're not worth any more time when a cut and paste this same
paragraphs it fits so well!
But, now worth a forwarding to: internet.help@shaw.ca,
security@shaw.ca, abuse@shaw.ca, internet.abuse@sjrb.ca, abuse@aioe.org,
admin@cox.net for forgery.
Who said it also likes baby monkeys sucking their -----, like his buddy
posted on an auto picture group at:
news:0u7g43dkje4pdkqi07hl66s8kpifo564k1@4ax.com
I thought this traitor's attacks were just over personal disagreements,
but in reality these attacks stemming from my love of God and America on
Independents Week, I realized you are actually attacking my country, and
that's what you've been doing all along is declaring your hatred for the
United States of America, with each declaration of my signature, but just
too cowardly and stupid to be a ---------. It's America, love it, or leave
it, so keep the f*ck out!
give me American heroes, not ------ wimps!
God Bless America, Bill O|||||||O
mailto:-------------------- http://www.----------.com/


"N. (Nancy) Huge IIIII" <nancyhuge@coccyx.net> wrote in message
news:0CYoi.137549$xq1.96573@pd7urf1no...
>
> William Blake
>
> William Blake was born in London on November 28, 1757, to James, a hosier,
> and Catherine Blake. Two of his six siblings died in infancy. From early
> childhood, Blake spoke of having visions--at four he saw God 'put his
> head to the window'; around age nine, while walking through the
> countryside, he saw a tree filled with angels. Although his parents tried
> to discourage him from "lying," they did observe that he was different
> from his peers and did not force him to attend conventional school. He
> learned to read and write at home. At age ten, Blake expressed a wish to
> become a painter, so his parents sent him to drawing school. Two years
> later, Blake began writing poetry. When he turned fourteen, he apprenticed
> with an engraver because art school proved too costly. One of Blake's
> assignments as apprentice was to sketch the tombs at Westminster Abbey,
> exposing him to a variety of Gothic styles from which he would draw
> inspiration throughout his career. After his seven-year term ended, he
> studied briefly at the Royal Academy.
>
> In 1782, he married an illiterate woman named Catherine Boucher. Blake
> taught her to read and to write, and also instructed her in draftsmanship.
> Later, she helped him print the illuminated poetry for which he is
> remembered today; the couple had no children. In 1784 he set up a
> printshop with a friend and former fellow apprentice, James Parker, but
> this venture failed after several years. For the remainder of his life,
> Blake made a meager living as an engraver and illustrator for books and
> magazines. In addition to his wife, Blake also began training his younger
> brother Robert in drawing, painting, and engraving. Robert fell ill during
> the winter of 1787 and succumbed, probably to consumption. As Robert died,
> Blake saw his brother's spirit rise up through the ceiling, "clapping its
> hands for joy." He believed that Robert's spirit continued to visit him
> and later claimed that in a dream Robert taught him the printing method
> that he used in Songs of Innocence and other "illuminated" works.
>
> Blake's first printed work, Poetical Sketches (1783), is a collection of
> apprentice verse, mostly imitating classical models. The poems protest
> against war, tyranny, and King George III's treatment of the American
> colonies. He published his most popular collection, Songs of Innocence, in
> 1789 and followed it, in 1794, with Songs of Experience. Some readers
> interpret Songs of Innocence in a straightforward fashion, considering it
> primarily a children's book, but others have found hints at parody or
> critique in its seemingly naive and simple lyrics. Both books of Songs
> were printed in an illustrated format reminiscent of illuminated
> manuscripts. The text and illustrations were printed from copper plates,
> and each picture was finished by hand in watercolors.
>
> Blake was a nonconformist who associated with some of the leading radical
> thinkers of his day, such as Thomas Paine and Mary Wollstonecraft. In
> defiance of 18th-century neoclassical conventions, he privileged
> imagination over reason in the creation of both his poetry and images,
> asserting that ideal forms should be constructed not from observations of
> nature but from inner visions. He declared in one poem, "I must create a
> system or be enslaved by another man's." Works such as "The French
> Revolution" (1791), "America, a Prophecy" (1793), "Visions of the
> Daughters of Albion" (1793), and "Europe, a Prophecy" (1794) express his
> opposition to the English monarchy, and to 18th-century political and
> social tyranny in general. Theological tyranny is the subject of The Book
> of Urizen (1794). In the prose work The Marriage of Heaven and Hell
> (1790-93), he satirized oppressive authority in church and state, as well
> as the works of Emanuel Swedenborg, a Swedish philosopher whose ideas once
> attracted his interest.
>
> In 1800 Blake moved to the seacoast town of Felpham, where he lived and
> worked until 1803 under the patronage of William Hayley. He taught himself
> Greek, Latin, Hebrew, and Italian, so that he could read classical works
> in their original language. In Felpham he experienced profound spiritual
> insights that prepared him for his mature work, the great visionary epics
> written and etched between about 1804 and 1820. Milton (1804-08), Vala, or
> The Four Zoas (1797; rewritten after 1800), and Jerusalem (1804-20) have
> neither traditional plot, characters, rhyme, nor meter. They envision a
> new and higher kind of innocence, the human spirit triumphant over reason.
>
> Blake believed that his poetry could be read and understood by common
> people, but he was determined not to sacrifice his vision in order to
> become popular. In 1808 he exhibited some of his watercolors at the Royal
> Academy, and in May of 1809 he exhibited his works at his brother James's
> house. Some of those who saw the exhibit praised Blake's artistry, but
> others thought the paintings "hideous" and more than a few called him
> insane. Blake's poetry was not well known by the general public, but he
> was mentioned in A Biographical Dictionary of the Living Authors of Great
> Britain and Ireland, published in 1816. Samuel Taylor Coleridge, who had
> been lent a copy of Songs of Innocence and of Experience, considered Blake
> a "man of Genius," and Wordsworth made his own copies of several songs.
> Charles Lamb sent a copy of "The Chimney Sweeper" from Songs of Innocence
> to James Montgomery for his Chimney-Sweeper's Friend, and Climbing Boys'
> Album (1824), and Robert Southey (who, like Wordsworth, considered Blake
> insane) attended Blake's exhibition and included the "Mad Song" from
> Poetical Sketches in his miscellany, The Doctor (1834-1837).
>
> Blake's final years, spent in great poverty, were cheered by the admiring
> friendship of a group of younger artists who called themselves "the
> Ancients." In 1818 he met John Linnell, a young artist who helped him
> financially and also helped to create new interest in his work. It was
> Linnell who, in 1825, commissioned him to design illustrations for Dante's
> Divine Comedy, the cycle of drawings that Blake worked on until his death
> in 1827.
>
> A Selected Bibliography
>
> Poetry
>
> All Religions Are One (1788)
> America, a Prophecy (1793)
> Europe, a Prophecy (1794)
> For Children: The Gates of Paradise (1793) For the Sexes: The Gates of
> Paradise (1820) Poetical Sketches (1783)
> Songs of Experience (1794)
> Songs of Innocence (1789)
> The Book of Ahania (1795)
> The Book of Los (1795)
> The First Book of Urizen (1794)
> The Marriage of Heaven and Hell (1790) The Song of Los (1795)
> There Is No Natural Religion (1788)
>
>
>
>
>
>
> >> Just more grades you missed.
>
> --
> "Jeeps can get up, and jeeps can also go down. Why can't Bill do either?"
>
> -- Nancy ------ III
>
>
>
> Posted via a free Usenet account from http://www.teranews.com
>



--
Posted via a free Usenet account from http://www.teranews.com

Re: clutch chatter/rattle noise
 

This from the biggest loser of them all! The jealous, really jealous, I
can't believe how jealous this little draft dodging coward schizophrenic
psychopath liar hiding in Vancouver via S0106000ea6ba70e7.vn.shawcable.net
24.86.24.251 intrepidator@shaw.ca who's only way to get attention is to make
a fool of its self. With an obsession with perverts and goats, where it
writes via remailers, @news.alt.net, and cross posts to other perverts to no
one's surprise. With extreme jealous ranting over my documents, possessions,
successes, manliness and fine, Southern California surfing body, beard, and
loving Christian family. Committing forgery over many of my posts, proving
I'm a responsible American man. You remind me of a little rat dog, like a
Mexican Chiwawa with its senseless barking, me too, me too. You're even more
senile than I first thought. And the poor thing, you're too girlie to take
responsibility for yourself again, by signing your statement like a man.
That really thinks the group's members are so stupid not to know it's
the same coward, posting over and over again using a schizophrenic
psychopath forged up names?
You're not worth any more time when a cut and paste this same
paragraphs it fits so well!
But, now worth a forwarding to: internet.help@shaw.ca,
security@shaw.ca, abuse@shaw.ca, internet.abuse@sjrb.ca, abuse@aioe.org,
admin@cox.net for forgery.
Who said it also likes baby monkeys sucking their -----, like his buddy
posted on an auto picture group at:
news:0u7g43dkje4pdkqi07hl66s8kpifo564k1@4ax.com
I thought this traitor's attacks were just over personal disagreements,
but in reality these attacks stemming from my love of God and America on
Independents Week, I realized you are actually attacking my country, and
that's what you've been doing all along is declaring your hatred for the
United States of America, with each declaration of my signature, but just
too cowardly and stupid to be a ---------. It's America, love it, or leave
it, so keep the f*ck out!
give me American heroes, not ------ wimps!
God Bless America, Bill O|||||||O
mailto:-------------------- http://www.----------.com/


"N. (Nancy) Huge IIIII" <nancyhuge@coccyx.net> wrote in message
news:0CYoi.137549$xq1.96573@pd7urf1no...
>
> William Blake
>
> William Blake was born in London on November 28, 1757, to James, a hosier,
> and Catherine Blake. Two of his six siblings died in infancy. From early
> childhood, Blake spoke of having visions--at four he saw God 'put his
> head to the window'; around age nine, while walking through the
> countryside, he saw a tree filled with angels. Although his parents tried
> to discourage him from "lying," they did observe that he was different
> from his peers and did not force him to attend conventional school. He
> learned to read and write at home. At age ten, Blake expressed a wish to
> become a painter, so his parents sent him to drawing school. Two years
> later, Blake began writing poetry. When he turned fourteen, he apprenticed
> with an engraver because art school proved too costly. One of Blake's
> assignments as apprentice was to sketch the tombs at Westminster Abbey,
> exposing him to a variety of Gothic styles from which he would draw
> inspiration throughout his career. After his seven-year term ended, he
> studied briefly at the Royal Academy.
>
> In 1782, he married an illiterate woman named Catherine Boucher. Blake
> taught her to read and to write, and also instructed her in draftsmanship.
> Later, she helped him print the illuminated poetry for which he is
> remembered today; the couple had no children. In 1784 he set up a
> printshop with a friend and former fellow apprentice, James Parker, but
> this venture failed after several years. For the remainder of his life,
> Blake made a meager living as an engraver and illustrator for books and
> magazines. In addition to his wife, Blake also began training his younger
> brother Robert in drawing, painting, and engraving. Robert fell ill during
> the winter of 1787 and succumbed, probably to consumption. As Robert died,
> Blake saw his brother's spirit rise up through the ceiling, "clapping its
> hands for joy." He believed that Robert's spirit continued to visit him
> and later claimed that in a dream Robert taught him the printing method
> that he used in Songs of Innocence and other "illuminated" works.
>
> Blake's first printed work, Poetical Sketches (1783), is a collection of
> apprentice verse, mostly imitating classical models. The poems protest
> against war, tyranny, and King George III's treatment of the American
> colonies. He published his most popular collection, Songs of Innocence, in
> 1789 and followed it, in 1794, with Songs of Experience. Some readers
> interpret Songs of Innocence in a straightforward fashion, considering it
> primarily a children's book, but others have found hints at parody or
> critique in its seemingly naive and simple lyrics. Both books of Songs
> were printed in an illustrated format reminiscent of illuminated
> manuscripts. The text and illustrations were printed from copper plates,
> and each picture was finished by hand in watercolors.
>
> Blake was a nonconformist who associated with some of the leading radical
> thinkers of his day, such as Thomas Paine and Mary Wollstonecraft. In
> defiance of 18th-century neoclassical conventions, he privileged
> imagination over reason in the creation of both his poetry and images,
> asserting that ideal forms should be constructed not from observations of
> nature but from inner visions. He declared in one poem, "I must create a
> system or be enslaved by another man's." Works such as "The French
> Revolution" (1791), "America, a Prophecy" (1793), "Visions of the
> Daughters of Albion" (1793), and "Europe, a Prophecy" (1794) express his
> opposition to the English monarchy, and to 18th-century political and
> social tyranny in general. Theological tyranny is the subject of The Book
> of Urizen (1794). In the prose work The Marriage of Heaven and Hell
> (1790-93), he satirized oppressive authority in church and state, as well
> as the works of Emanuel Swedenborg, a Swedish philosopher whose ideas once
> attracted his interest.
>
> In 1800 Blake moved to the seacoast town of Felpham, where he lived and
> worked until 1803 under the patronage of William Hayley. He taught himself
> Greek, Latin, Hebrew, and Italian, so that he could read classical works
> in their original language. In Felpham he experienced profound spiritual
> insights that prepared him for his mature work, the great visionary epics
> written and etched between about 1804 and 1820. Milton (1804-08), Vala, or
> The Four Zoas (1797; rewritten after 1800), and Jerusalem (1804-20) have
> neither traditional plot, characters, rhyme, nor meter. They envision a
> new and higher kind of innocence, the human spirit triumphant over reason.
>
> Blake believed that his poetry could be read and understood by common
> people, but he was determined not to sacrifice his vision in order to
> become popular. In 1808 he exhibited some of his watercolors at the Royal
> Academy, and in May of 1809 he exhibited his works at his brother James's
> house. Some of those who saw the exhibit praised Blake's artistry, but
> others thought the paintings "hideous" and more than a few called him
> insane. Blake's poetry was not well known by the general public, but he
> was mentioned in A Biographical Dictionary of the Living Authors of Great
> Britain and Ireland, published in 1816. Samuel Taylor Coleridge, who had
> been lent a copy of Songs of Innocence and of Experience, considered Blake
> a "man of Genius," and Wordsworth made his own copies of several songs.
> Charles Lamb sent a copy of "The Chimney Sweeper" from Songs of Innocence
> to James Montgomery for his Chimney-Sweeper's Friend, and Climbing Boys'
> Album (1824), and Robert Southey (who, like Wordsworth, considered Blake
> insane) attended Blake's exhibition and included the "Mad Song" from
> Poetical Sketches in his miscellany, The Doctor (1834-1837).
>
> Blake's final years, spent in great poverty, were cheered by the admiring
> friendship of a group of younger artists who called themselves "the
> Ancients." In 1818 he met John Linnell, a young artist who helped him
> financially and also helped to create new interest in his work. It was
> Linnell who, in 1825, commissioned him to design illustrations for Dante's
> Divine Comedy, the cycle of drawings that Blake worked on until his death
> in 1827.
>
> A Selected Bibliography
>
> Poetry
>
> All Religions Are One (1788)
> America, a Prophecy (1793)
> Europe, a Prophecy (1794)
> For Children: The Gates of Paradise (1793) For the Sexes: The Gates of
> Paradise (1820) Poetical Sketches (1783)
> Songs of Experience (1794)
> Songs of Innocence (1789)
> The Book of Ahania (1795)
> The Book of Los (1795)
> The First Book of Urizen (1794)
> The Marriage of Heaven and Hell (1790) The Song of Los (1795)
> There Is No Natural Religion (1788)
>
>
>
>
>
>
> >> Just more grades you missed.
>
> --
> "Jeeps can get up, and jeeps can also go down. Why can't Bill do either?"
>
> -- Nancy ------ III
>
>
>
> Posted via a free Usenet account from http://www.teranews.com
>



--
Posted via a free Usenet account from http://www.teranews.com

Re: clutch chatter/rattle noise
 

This from the biggest loser of them all! The jealous, really jealous, I
can't believe how jealous this little draft dodging coward schizophrenic
psychopath liar hiding in Vancouver via S0106000ea6ba70e7.vn.shawcable.net
24.86.24.251 intrepidator@shaw.ca who's only way to get attention is to make
a fool of its self. With an obsession with perverts and goats, where it
writes via remailers, @news.alt.net, and cross posts to other perverts to no
one's surprise. With extreme jealous ranting over my documents, possessions,
successes, manliness and fine, Southern California surfing body, beard, and
loving Christian family. Committing forgery over many of my posts, proving
I'm a responsible American man. You remind me of a little rat dog, like a
Mexican Chiwawa with its senseless barking, me too, me too. You're even more
senile than I first thought. And the poor thing, you're too girlie to take
responsibility for yourself again, by signing your statement like a man.
That really thinks the group's members are so stupid not to know it's
the same coward, posting over and over again using a schizophrenic
psychopath forged up names?
You're not worth any more time when a cut and paste this same
paragraphs it fits so well!
But, now worth a forwarding to: internet.help@shaw.ca,
security@shaw.ca, abuse@shaw.ca, internet.abuse@sjrb.ca, abuse@aioe.org,
admin@cox.net for forgery.
Who said it also likes baby monkeys sucking their -----, like his buddy
posted on an auto picture group at:
news:0u7g43dkje4pdkqi07hl66s8kpifo564k1@4ax.com
I thought this traitor's attacks were just over personal disagreements,
but in reality these attacks stemming from my love of God and America on
Independents Week, I realized you are actually attacking my country, and
that's what you've been doing all along is declaring your hatred for the
United States of America, with each declaration of my signature, but just
too cowardly and stupid to be a ---------. It's America, love it, or leave
it, so keep the f*ck out!
give me American heroes, not ------ wimps!
God Bless America, Bill O|||||||O
mailto:-------------------- http://www.----------.com/


"N. (Nancy) Huge IIIII" <nancyhuge@coccyx.net> wrote in message
news:0CYoi.137549$xq1.96573@pd7urf1no...
>
> William Blake
>
> William Blake was born in London on November 28, 1757, to James, a hosier,
> and Catherine Blake. Two of his six siblings died in infancy. From early
> childhood, Blake spoke of having visions--at four he saw God 'put his
> head to the window'; around age nine, while walking through the
> countryside, he saw a tree filled with angels. Although his parents tried
> to discourage him from "lying," they did observe that he was different
> from his peers and did not force him to attend conventional school. He
> learned to read and write at home. At age ten, Blake expressed a wish to
> become a painter, so his parents sent him to drawing school. Two years
> later, Blake began writing poetry. When he turned fourteen, he apprenticed
> with an engraver because art school proved too costly. One of Blake's
> assignments as apprentice was to sketch the tombs at Westminster Abbey,
> exposing him to a variety of Gothic styles from which he would draw
> inspiration throughout his career. After his seven-year term ended, he
> studied briefly at the Royal Academy.
>
> In 1782, he married an illiterate woman named Catherine Boucher. Blake
> taught her to read and to write, and also instructed her in draftsmanship.
> Later, she helped him print the illuminated poetry for which he is
> remembered today; the couple had no children. In 1784 he set up a
> printshop with a friend and former fellow apprentice, James Parker, but
> this venture failed after several years. For the remainder of his life,
> Blake made a meager living as an engraver and illustrator for books and
> magazines. In addition to his wife, Blake also began training his younger
> brother Robert in drawing, painting, and engraving. Robert fell ill during
> the winter of 1787 and succumbed, probably to consumption. As Robert died,
> Blake saw his brother's spirit rise up through the ceiling, "clapping its
> hands for joy." He believed that Robert's spirit continued to visit him
> and later claimed that in a dream Robert taught him the printing method
> that he used in Songs of Innocence and other "illuminated" works.
>
> Blake's first printed work, Poetical Sketches (1783), is a collection of
> apprentice verse, mostly imitating classical models. The poems protest
> against war, tyranny, and King George III's treatment of the American
> colonies. He published his most popular collection, Songs of Innocence, in
> 1789 and followed it, in 1794, with Songs of Experience. Some readers
> interpret Songs of Innocence in a straightforward fashion, considering it
> primarily a children's book, but others have found hints at parody or
> critique in its seemingly naive and simple lyrics. Both books of Songs
> were printed in an illustrated format reminiscent of illuminated
> manuscripts. The text and illustrations were printed from copper plates,
> and each picture was finished by hand in watercolors.
>
> Blake was a nonconformist who associated with some of the leading radical
> thinkers of his day, such as Thomas Paine and Mary Wollstonecraft. In
> defiance of 18th-century neoclassical conventions, he privileged
> imagination over reason in the creation of both his poetry and images,
> asserting that ideal forms should be constructed not from observations of
> nature but from inner visions. He declared in one poem, "I must create a
> system or be enslaved by another man's." Works such as "The French
> Revolution" (1791), "America, a Prophecy" (1793), "Visions of the
> Daughters of Albion" (1793), and "Europe, a Prophecy" (1794) express his
> opposition to the English monarchy, and to 18th-century political and
> social tyranny in general. Theological tyranny is the subject of The Book
> of Urizen (1794). In the prose work The Marriage of Heaven and Hell
> (1790-93), he satirized oppressive authority in church and state, as well
> as the works of Emanuel Swedenborg, a Swedish philosopher whose ideas once
> attracted his interest.
>
> In 1800 Blake moved to the seacoast town of Felpham, where he lived and
> worked until 1803 under the patronage of William Hayley. He taught himself
> Greek, Latin, Hebrew, and Italian, so that he could read classical works
> in their original language. In Felpham he experienced profound spiritual
> insights that prepared him for his mature work, the great visionary epics
> written and etched between about 1804 and 1820. Milton (1804-08), Vala, or
> The Four Zoas (1797; rewritten after 1800), and Jerusalem (1804-20) have
> neither traditional plot, characters, rhyme, nor meter. They envision a
> new and higher kind of innocence, the human spirit triumphant over reason.
>
> Blake believed that his poetry could be read and understood by common
> people, but he was determined not to sacrifice his vision in order to
> become popular. In 1808 he exhibited some of his watercolors at the Royal
> Academy, and in May of 1809 he exhibited his works at his brother James's
> house. Some of those who saw the exhibit praised Blake's artistry, but
> others thought the paintings "hideous" and more than a few called him
> insane. Blake's poetry was not well known by the general public, but he
> was mentioned in A Biographical Dictionary of the Living Authors of Great
> Britain and Ireland, published in 1816. Samuel Taylor Coleridge, who had
> been lent a copy of Songs of Innocence and of Experience, considered Blake
> a "man of Genius," and Wordsworth made his own copies of several songs.
> Charles Lamb sent a copy of "The Chimney Sweeper" from Songs of Innocence
> to James Montgomery for his Chimney-Sweeper's Friend, and Climbing Boys'
> Album (1824), and Robert Southey (who, like Wordsworth, considered Blake
> insane) attended Blake's exhibition and included the "Mad Song" from
> Poetical Sketches in his miscellany, The Doctor (1834-1837).
>
> Blake's final years, spent in great poverty, were cheered by the admiring
> friendship of a group of younger artists who called themselves "the
> Ancients." In 1818 he met John Linnell, a young artist who helped him
> financially and also helped to create new interest in his work. It was
> Linnell who, in 1825, commissioned him to design illustrations for Dante's
> Divine Comedy, the cycle of drawings that Blake worked on until his death
> in 1827.
>
> A Selected Bibliography
>
> Poetry
>
> All Religions Are One (1788)
> America, a Prophecy (1793)
> Europe, a Prophecy (1794)
> For Children: The Gates of Paradise (1793) For the Sexes: The Gates of
> Paradise (1820) Poetical Sketches (1783)
> Songs of Experience (1794)
> Songs of Innocence (1789)
> The Book of Ahania (1795)
> The Book of Los (1795)
> The First Book of Urizen (1794)
> The Marriage of Heaven and Hell (1790) The Song of Los (1795)
> There Is No Natural Religion (1788)
>
>
>
>
>
>
> >> Just more grades you missed.
>
> --
> "Jeeps can get up, and jeeps can also go down. Why can't Bill do either?"
>
> -- Nancy ------ III
>
>
>
> Posted via a free Usenet account from http://www.teranews.com
>



--
Posted via a free Usenet account from http://www.teranews.com

Re: clutch chatter/rattle noise
 

what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
not "--------.com"

Re: clutch chatter/rattle noise
 

what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
not "--------.com"

Re: clutch chatter/rattle noise
 

what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
not "--------.com"

Re: clutch chatter/rattle noise
 

what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
not "--------.com"

Re: clutch chatter/rattle noise
 

jpurl77 wrote:
> what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
> not "--------.com"

learn the benefits of killfilters. :)

--
DougW

Re: clutch chatter/rattle noise
 

jpurl77 wrote:
> what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
> not "--------.com"

learn the benefits of killfilters. :)

--
DougW

Re: clutch chatter/rattle noise
 

jpurl77 wrote:
> what the hell guys? i thought this was "rec.autos.makers.jeep+willys"
> not "--------.com"

learn the benefits of killfilters. :)

--
DougW